January 2026
Monthly Newsletter

GENERAL MEMBERSHIP MEETING
January 15, 2026 • 9 AM • Pima Room

FROM YOUR PRESIDENT

Cathy Rick


Welcome back everyone! The studio sure is busy these days, with so many beautiful and creative pieces coming out of the kilns. 

General Membership Meeting on January 15
We look forward to seeing you at the upcoming General Membership Meeting on January 15. Click on this link for the draft agenda for a preview of what we plan to cover in the meeting:  
https://www.grandclayarts.com/docs/Grand_Clay_Arts_-_Jan_15_Draft_Agenda.pdf

Membership Update
We ended the year 2025 with 242
members. 

We are in the process of annual renewals for 2026. If you haven't yet paid your dues, payment needs to be made as soon as possible to avoid being dropped from the club. From December through 1/10/26, we had 182 renewals; 10 new members, and 9 members left the club


In the course of the renewal cycle, cubbies may become available. Please enter a Cubby Request to obtain a cubby or request a cubby that is more suitable to your needs.

Renovation Update
The architect has completed preliminary measurements of the two buildings that will be renovated/expanded for the Clay and Glass clubs. Here’s a tentative schedule for the plan:
  • Language club moves from the Ocotillo building to the Navaho Room in Chaparral by May 2026
  • Poker club moves from the Cholla building to the Ocotillo building by Oct 2026
  • Expanded Cholla building is ready for Clay or Glass to move in by mid-2027
  • Renovated Golden Barrel/Prickly Pear building, ready for Clay or Glass to move in at the end of 2027
The architects expect to have an opinion regarding whether the Clay or Glass club will be best suited for which building by sometime in February. 
 
Bob Mohr Nominations 
Nominations are now open for recognizing an outstanding member of our Grand Clay Arts club. The prestigious Bob Mohr award recognizes an individual member for their exemplary service to the Grand Clay Arts club. The award is named in memory of the club's founder, and recognizes members who, like Bob, invest their time, energy and valuable skills to enhance our club and the experience for its members. Recipients are honored on a plaque displayed in the studio. The nominee should meet the following criteria:  has given of their time, talents, and resources to support the club and its members. Any Grand Clay Arts member in good standing is eligible to be nominated, with the exception of 2025 Board members and past recipients. Submit your nominations here Bob Mohr Award

The winner will be added to this prestigious list of past recipients.



Policy Reminders

  • Members who have been away from the Club for medical or other reasons may notify the Board IT Director (webmaster@grandclayarts.com) of their return and request reinstatement of service hours that expired during that time.

  • A guest waiver form is no longer required.

Guests and prospective members may work in the studio when accompanied by a member a maximum of three times per calendar year

MEMBERSHIP APPRECIATION PARTY

Sherri Singer

The Membership Appreciation Party is coming up on February 9. It will be at the Palm Center from 4:00 to 8:00 p.m. and includes a meal, live band and dancing, a raffle, and much more! The theme this year is ‘LOVE IN’...think 60’s and 70’s, bell bottoms, hippies, and getting groovy. We’d love it if you came in attire representing those fun years of our youth. Dressing up is optional but it would be ‘far out’ if you did.

We will need some volunteers to help with the event and also some pottery to be raffled off.  Please let me know if you want to help in either of these areas.

Volunteer jobs:
Decorating - 4 people
Sign in - 2 people 
Serving food table - 2-3
Balloon pickup - 1 room vehicle 

If you have any questions - Sherrisinger@hotmail.com - 651-428-5368

GLAZE ROOM UPDATE

Jim Donaldson

Welcome to a new year and a quickening pace in the glaze room. Please read the following important reminders:

  • Remember the sign-in sheet on the door and observe the two-person limit. If you are spraying (in the corner), the room limit is one, and remember to turn on the vent switch.
     
  • Use the glaze room for glazing and staining. Waxing should be done in the studio. You may take the small containers of stain or glaze into the studio. Stir… don’t shake.
     
  • Please avoid bringing GREENWARE (unfired clay) into the Glaze room. Accidentally dipping unfired clay into the bucket will likely ruin the glaze.  This is an expensive mistake. If it happens, let a member of the Glaze team know immediately. 
     
  • We have a small but dedicated team to maintain the glazes and stains. We expect you to clean up. Bucket lids will seal properly if set flat on the bucket. No need to press them down. 
     
  • We maintain glazes in the Glaze room based on a target value for Specific Gravity for consistent performance. Most reported problems are due to insufficient stirring or uneven application.
     
  • To get the best performance on your pieces, make sure that you:
    • STIR THOROUGHLY -- scraping the bottom and sides of the bucket.  
    • Use test tiles, if in doubt
    • Use ‘Gumsol’ (gum solution) to improve glaze brush ability and slow drying when brushing. Find the squeeze bottle on the shelf with our stains.
    • If you haven't done so or need a refresher, please take a Glazing class
       
  • We sieve the glazes to remove contaminants that would create defects in your art. What we find is a combination of stuff (grog, chips, trimmings, sponge dust, and paper towel fibers). Please make sure to have rinsed (and dried) your bisqueware before glazing. Don’t use decaying sponges in the glaze room.

  • The house rules have not changed… Club glazes stay at the club. 

The recent glaze sale sold off about 8 ½ gallons. We still have plenty of:  

  • Arabia Green
  • Blackberry wine
  • ​​Xavier Green

​​If you are still interested in any of these glazes, contact a member of the glaze team. 

Got a question, concern or suggestion?

The Glaze Room Request form (in binder on top of Microwave) is a great way to let us know. Post your form where we will see it.  Or email: GlazeLead@GrandClayArts.com 

Share Your Glaze Combinations

Let us know what glaze combinations you're experimenting with and share your results!

Send a photo and details to: GlazeLead@GrandClayArts.com

This is a glaze combination demonstrated to us by former member, Yvonne Botz

Clay body: Red BMix

  • The wide shallow bowl has two brushed coats of Forest Green followed by three brushed coats of Celadon Froth.
  • Archies is then dabbed on using a sponge.
  • Gumsol was used with the brushed glazes, other than Archies.


The next two pieces are by Irina Bowman

Clay body: Speckled Buff

  • 4 count dip in Stoned Denim
Clay body: B Mix with grog
  • blue tape mask the center stripe which shows as red in this picture.
  • dip each end in gloss black without overlap. Allow to dry.
  • quickly dip each end in white without overlap. Allow to dry.
  • remove the blue tape and brush on 2 coats of Gloss Black (allow it to dry), then 1 coat of Dynasty red where the tape had been
  • accented with glued on (E6000) glaze puddles that formed from drips off the back. (please don’t try to recreate this happy accident)
  • plan for the combination of white over gloss black to run, so wax and wipe back appropriately

EDUCATION

Cindy Wright

Have you checked out the January class offerings? They are awesome! 

New (or relatively new) Classes:

- Just Hanging Around: Make unique abstract people and learn interesting stain and glazing techniques.
- Abstract Faces Wallhanging: Make fun, funny, clever faces in a set of three. Work on texture application and using underglazes. 
- Artistic Succulent Containers: Make these unique, one-of-a-kind planters and improve your construction techniques. 

These and other class projects are displayed along the patio windows. 

And there’s a special “try it” alternative fire opportunity for FREE. By signing up, you can participate in Splash Obvara and learn the process first hand. Space is very limited, so sign up soon. 

IF you are new and want to learn more about working with clay— take a class. Each class lists the skills you will learn. No matter what you take, you will make cool stuff and become a better clay artist. 

IF you’ve been a Clay Club member for awhile, check out the classes because there are new things to learn, interesting things to make, and always some great people to meet in your next class. ​

JOIN THE IT TEAM

Karen LeMar

HELP WANTED!

Our IT Team is bidding farewell to two of our valued volunteers:

Ruth Bell
Sam Valenti

We thank them both for their work with the various aspects of our website!
 
If you are interested in learning more about the workings of our website, please consider volunteering for one of these tasks:

  • Maintain the Volunteer sign-up Calendar
    This involves inputting time slots onto the Volunteer Calendars monthly and takes about 1 hour.
  • Manage our FaceBook site 
    Confirm potential members and monitor content. This is done as needed, possibly .5 hour monthly. Familiarity with FaceBook is helpful but not a requirement. 

     
  • Backup Webmaster
    Lots of things to do and lots of things to learn about!

 
These roles have detailed "how-to" guides, and you'll be fully trained in the task.
Please contact me if you are interested in learning more:  karen.lemar@gmail.com.

SPECKLED BLUE GRAY CHALLENGE

Irene Chappell and Monique Greer

The SPECKLED BLUE GRAY GLAZE CHALLENGE deadline of January 31 is right around the corner.

Cyndi Swintek kindly made these amazing sample glaze tiles so you can see how most of our glazes work with this blue-gray tone. There are some very interesting results. Checkout the actual plates located in the Glaze Room.



Remember that the contest calls for the Speckled Blue Gray to be visible on the piece, but that doesn’t mean part of your piece can’t include it combined with another glaze. Cyndi provided the following additional information for consideration.
 
I used two heavy coats on top of the Speckled Blue Gray. Keep in mind that some glazes are heavier than others, so results may be different. For example, Celadon glazes will be thinner; if a Celadon glaze is underneath a heavier glaze, it helps make it run, so that would look totally different. I didn’t try applying the gray to the top of these other glazes and assume that would produce a different look as well.

 
Timing: Your piece must be completed by Friday, January 31, 2026

Rules? Yes, there are a few easy rules. Take a handout from the folder on the high-top tables in the studio for more information. 

Prizes? YES! This year, we have 5 prizes. The details on the categories for judging are outlined in the handout as well.

Questions? We would be happy to answer your questions. 
Irene - irene@jichap.com; Monique - mogreer4az@gmail.com

SUPPLY

Theresa Fritz

A very Happy New Year to everyone!

With the new year comes the regular price increases for a few items, passed on by manufacturing to our suppliers and then, of course, on to GCA. These price changes may be reflected in your special orders. Although the cost of clay has increased, our Board of Directors has voted that the pricing to our members WILL NOT INCREASE. This is great news!

Glaze Catalogs and Ordering
To our new members, a big welcome and a few notes. You will find helpful catalogs of Amaco Glazes and under-glazes in a binder behind the monitors desk. Please ask for assistance when ordering should you need help. For the Mayco line of products, there are large posters on the back and behind the Glaze Room door. 

The  "Member Special Order Form" can be found on the peg board near the Glaze Room entrance. Orders generally go in at the end of each week and are filled, when available, the following week. Should you require a specific tool, please check out the showcase of tools in the  storage room first before ordering.

*IMPORTANT NOTE FOR ALL MEMBERS*

  • Our Grand Clay Art equipment such as ware boards, all molds, banding wheels, texture tools and so on MUST REMAIN IN THE STUDIO and are for studio-use only. 

  • Please be very careful with the handling of the plaster molds as they are very fragile. Do not use oils on these molds, use corn starch only and always wipe clean after use for the next members use. 

  • We also ask that you refrain from cutting up or using the large sponges to support your art work. Both large and small  sponges are available for purchase at the studio. 
  • ​If anything is found in the studio that belongs to another member, please turn it in to the Monitor on duty to be placed in the member's cubby or, if no name on the item or member doesn't have a cubby, place in the lost and found.   

Thank you for your cooperation in keeping GCA equipment in good condition for all to enjoy.

SPECIAL MARCH MARKET OPPORTUNITY

Debby Luchetti

Spring Arts & Craft Faire is Saturday, March 21st from 9-2

Let's get creative! This show is a wonderful opportunity to spotlight our many talented artists and promote our amazing club. This is a CAM-sponsored event, and each club will be provided with six 8' tables. Due to limited space, members will be allowed to submit up to 10 pieces plus "back up" pieces to replace sold items. Sign up will be through our website from February 1st through the 15th. Detailed information will be sent via eBlast invitation by the end of January.

Upcoming Garden Club EXPO 
Garden Club fundraiser raffle tickets will be available for purchase in our studio and will apply to all donated prizes from the other participating Art Fusion Clubs as well as other Expo vendors. If you are interested in submitting a donated piece for our raffle basket, those donations must be submitted to me by this  Wednesday. Janet Wear has volunteered to assemble our basket next week, and it will soon be on display in our studio. 


Questions or comments to Debby Luchetti at debbyluchetti@aol.com

GET TO KNOW - PAT CONLEN

Monique Greer

What brought you to The Grand?  I was living in Seattle and visited a friend in AZ Traditions. I liked the idea of so many things to do in a retirement community and the AZ weather was great. I chose The Grand because it had more amenities.  

What were you doing professionally prior to retirement?  I was an auditor for the Department of Defense for most of my career, working  in Seattle.  

Of all the activities available to us here, why did you choose Clay Arts? What other activity/activities do you enjoy?  I have always loved pottery. When I first moved here in 2018, I came to a Grand Market and toured the clay club. I saw all the beautiful pottery people were creating at the club and met some friendly, talented, and encouraging potters; namely, Debby Luchetti and Janet Wear. I joined immediately and was obsessed! I tried a couple other activities, but they just got in the way of pottery.  
 
Is there something special that you've recently made on the wheel or hand-built that you would like to share with us? I think I've made over 30 mugs, but recently, I've been making hanging and standing totems. I mostly use speckled buff. I like using different glazes and colors on each piece. Stroke and Coat and Indigo Float work well because they are stable.  



Describe in 1 word how you feel when you're playing with mud:   FOCUSED

LET'S MAKE SOME SLIP

Laura Abraham

Have you ever noticed containers on the back counter below the slip jars containing "dry bits" of clay?



When you see them in that location, it is a sign that the club is in need of tiny pieces of dry clay to make slip. If you have pieces (tiny pieces) left over from a project, please let them dry and then place them in the appropriate jar. 

Thank you for your help!

CHAPARRAL SHOWCASE

Jim Perez-Wood

Grand Clay Arts, along with each of The Grand Artisan Fusion Clubs, maintains a display case in the Chaparral Building. This is both an opportunity to feature the creativity of our members, and a promotional tool for the club. The display is updated throughout the year to capture the attention of residents and generate interest in joining or supporting Grand Clay Arts. 
 
Please consider loaning a piece to display! 
 


How To Participate and What to Expect

Members in good standing may display their work. 

 
Pieces may be for sale, or not for sale. Artists must have a W-9 on file for items available to sell. Standard 15% commission applies. 
 
Include a standard white Market Sale tag with each item. Tags are available in the box next to the laptop in the window. Tags must include your name, title and price of the piece, or marked NFS (Not For Sale). 
 
Size is limited to the space of suspended glass shelves. Maximum artwork size: 16 inches tall by 16 inches wide by 8 inches deep. 
 
Pieces will be kept on display, generally, for 3-6 months. Items are enclosed behind a locked glass door. 
 
A list of the pieces on display will be kept at the monitor desk. Monitors should do the following:

  • Refer to the list for customers interested in purchasing pieces. 

  • Inform customers of the price of the piece, or that it is Not For Sale. Inform the customer the piece will be available for pickup within two days. 

  • Process sales as a Market Sale. Remove the white ticket from the display list, then place it in a white gallery envelope and deposit the ticket the drop box. 

  • Take the customer’s name and phone number to be contacted when the item is ready. 

  • Alert Jim Perez-Wood or Diane Niehof to retrieve the item. 

  • Items will be kept at the Monitor’s desk for pickup. 

 
If you have a piece you would like to loan to the display, please see Diane Niehof or Jim Perez-Wood. 

NEW PUZZLE POTS

Patti Jones

We have added four new, smaller puzzle pots for your enjoyment, which are located in the Glaze Room shelf below the counter, near the refrigerator. 

Please use care when using these and clean them well after use. No oils please. Ask someone if you aren't sure how to use them. 


Enjoy!

A TRIBUTE TO LYNNE SHANROCK

Jean Zeidler and Diane Niehof

We recently lost a good friend, a skilled potter, and an excellent teacher, Lynne Shanrock, who passed away on December 27, 2025.



After retiring, Lynne moved to Arizona with her beloved partner, Jack McCaskill. They were among the first residents of Sun City Grand.

Lynne was part of the excitement and energy when Bob Mohr got $25,000 from CAM (circa 1997) to start the clay club, then known as Grand Ceramics. She, Bob Mohr, Richard Dye, Walt Fuller, and Jerry Osborn can be seen in old photos standing around the original Raku kiln. 

Lynne was skilled in many areas of clay. She was involved in the large clay mosaic mural on the outside of the Surprise Library. She was in charge of education and involved in club leadership for many years. She’s best known for her hanging totems and Kachina dolls. Her influence will remain with us.

There will be no Memorial Service. Instead, donations in Lynne’s memory may be made to the Arizona Humane Society, honoring her love of animals.

GCA New Look! Newsletter - January 2026